La Royal Opera House anuncia la primera ópera 'hiperreal' y las primeras representaciones con público

28.9.20
Royal Opera House

La reconocida Royal Opera House (ROH) de Londres volverá a tener público el 17 de octubre, siete meses después del cierre del coliseo debido a la pandemia de covid19. Así lo anunciado la compañía, que ha presentado su programación de otoño, disponible además por internet y en la que incluye "la primera ópera hiperreal del mundo".

El director de ópera Oliver Mear ha subrayado que hay que contemplar los tiempos de la pandemia como una "oportunidad artística", mientras el director ejecutivo de ROH, Alex Beard, sostiene que el de este otoño es un "programa audaz y de amplio alcance que destaca la creatividad y la innovación que pueden surgir de la adversidad".

El auditorio de Convent Garden, con localidades convenientemente controladas para mantener las distancias de seguridad, abre de nuevo el sábado 17 de octubre y lo hace con la propuesta denominada '4/4', que incluye cuatro versiones "cortas" de óperas: el 'Apollo e Dafne' de Haendel, interpretada por Alexandra Lowe y Jonathan McGovern; 'Frankenstein!!' de Gruber con Allan Clayton dirigido por el premiado Richard Jones; 'Knoxville Summer 1915' de Samuel Barber con Masabane Cecilia Rangwanasha; y 'Phaedra' de Britten con la mezzosoprano Christine Rice.

Una semana después, el sábado 24 de octubre, sale al escenario el proyecto de nuevos valores y talentos femeninos británicos 'New Dark Age', que incluye 'The Knife of Dawn', ópera de cámara para un intérprete, con el barítono Peter Brathwaite dirigido por Ola Ince, creada por Hannah Kendall; y 'A New Dark Age' de Missy Mazzoli, Sivan Eldar, Anna Meredith y Anna Thorvaldsdottir.

El 28 de noviembre llega, al teatro Linbury, "la primera ópera hiperrreal del mundo". ROH señala que esta producción de 15 minutos será una experiencia "inmersiva" y "multisensorial" (vista, sonido y tacto) en el teatro Linbury titulada 'Current, Rising', de la británica Samantha Fernando, "inspirada en la liberación de Ariel al final de la obra 'La tempestad' de Shakespeare".

Los espectadores, en grupos de cuatro, accederán al espacio 'armados' con unos auriculares y gafas de realidad virtual para escuchar la voz grabada de la soprano Anna Dennis, ver y sentir viento o cómo se agita el suelo, según adelanta el diario 'The Times', que indica que las entradas costarán 20 libras. Aún no están a la venta.

El auditorio londidense también mantiene el programa de apoyo a jóvenes voces 'Meet the Young Artists Week', del 26 al 31 de octubre. Esta iniciativa incluye la participación virtual de la audiencia, que con sus votos en Facebook y YouTube determinará quiénes participan en la gala final del 30 de octubre.

En este ciclo joven se ofrecen además grabaciones —'Female Monodramas'— con la mezzosoprano Stephanie Wake-Edwards y las sopranos Alexandra Lowe y Masabane Cecilia Rangwanasha, en sendas adaptaciones de la 'Ariadne auf Naxos' de Hyden, 'La Dame de Monte-Carlo' de Francis Poulenc y 'At the Statue of Venus' de Jake Heggie.

ROH ha anunciado también conciertos con las obras 'Ariodante' y 'Falstaff' (con el barítono Bryn Terfel). Además, siguen las transmisiones, ya habituales esta pandemia, por internet, por televisión y cine, así como la danza en vivo y retransmitida.
Programación


Comunicado de la Royal Opera House
The Royal Opera House unveils programme of new work alongside much-loved classics for live audiences this Autumn

  • The Royal Opera and The Royal Ballet present an exciting and wide-ranging new line-up for the ROH's autumn 2020 programme
The Royal Opera House is thrilled to announce an exciting, wide-ranging new line-up for its autumn programme.
For the first time, extraordinary performances will be accessible online for a global audience through livestreams and for socially distanced live audiences at our home in Covent Garden. In a global first, we present a new opera in hyper-reality, alongside repertory favourites from both artistic companies.
Two newly programmed, progressive opera productions will welcome audiences on Saturday 17 and 24 October. Curated by Oliver Mears, the stagings will feature celebrated directors from the world of opera and theatre, paired with composers, conductors, singers and the Orchestra of the Royal Opera House in inspiring works that would never normally be seen on the main stage of the Royal Opera House.
The first of these, 4/4, will be performed live on Saturday 17 October. Directed by Olivier Award nominee Adele Thomas, renowned baroque specialist Christian Curnyn will conduct Alexandra Lowe and Jonathan McGovern in Handel’s Apollo and Daphne. Gruber’s wild and irreverent Frankenstein!! will see one of the most exciting and sought-after singers of his generation, Allan Clayton, take to the stage, directed by multi-Olivier Award-winning director Richard Jones, conducted by former Jette Parker Young Artist (JPYA) Ed Whitehead. Current JPYA soprano Masabane Cecilia Rangwanasha will sing Barber’s Knoxville Summer 1915, directed by Antony McDonald and conducted by Patrick Milne. And finally, leading British mezzo-soprano Christine Rice will perform Britten’s final masterpiece Phaedra – directed by theatre and opera specialist Deborah Warner.
New Dark Age will follow on Saturday 24 October. The evening will open with The Knife of Dawn, a one-person chamber opera by one of Britain’s most exciting young composers, Hannah Kendall. The new production will be directed by critically acclaimed director Ola Ince, conducted by Natalie Murray Beale and will feature baritone Peter Brathwaite. Katie Mitchell will present a brand-new music drama piece showcasing works by four female composers: Missy Mazzoli, Sivan Eldar, Anna Meredith and Anna Thorvaldsdottir. The Royal Opera House’s commitment to promoting the newest talent continues, as emerging stage directors who have taken part in the ROH opera training programme, led by Katie Mitchell, assist on both programmes. Tickets for the online livestreams of 4/4 and New Dark Age are available online, and ticketing for live audiences will open soon.


Director of Opera, Oliver Mears said:
'The Royal Opera returns, determined to embrace the constraints of our new world while seeing this as a moment of artistic opportunity, offering a breadth of work from the beginning of our story – concerts of Ariodante, one of the great Handel operas first staged at Covent Garden – through to Verdi, conducted by Antonio Pappano, and finally to bold new stagings of contemporary work and pieces that have never been staged at Covent Garden. Working alongside a world-class assembly of singers, directors and conductors, we can’t wait to be back, presenting these exhilarating projects to both live and digital global audiences.'
In a unique collaboration with Figment Productions and Royal Holloway University, we are also proud to announce the world’s first original opera in hyper reality: Current, Rising, an artistic experiment bringing together historic stagecraft and cutting-edge technology, developed by a female-led creative team.
The opera, directed by Netia Jones, designed by Joanna Scotcher, and composed by Samantha Fernando, is inspired by the liberation of Ariel at the end of Shakespeare’s The Tempest. It places audiences at the centre of an immersive, dream-like virtual world, taking them on a journey through imaginary landscapes of the night, from twilight to dawn. Current, Rising is a multi-sensory, fully immersive 360 experience exploring ideas of isolation, connection, and how we can collectively reimagine our futures.
Current, Rising has been produced as part of the Royal Opera House’s innovation programme, Audience Labs, and is ideal for those who are new to opera. It will take place in the Royal Opera House’s Linbury Theatre from 28 November 2020 and will strictly adhere to social distancing guidelines. More details will be announced when booking opens.
The Royal Opera House continues to provide the best opportunities for talented young singers, conductors, repetiteurs and directors from across the globe through the Jette Parker Young Artist programme. To welcome the new recruits, Meet the Young Artists Week returns this October from 26-31 October with a packed virtual and live schedule. Power is placed in the hands of the digital audience as the week kicks off with Juke Box, a streamed event where each artist sings an aria or song in a bid to make it to the final live concert on Friday 30 October.
Complementing the main stage short operas, across the week three Female Monodramas will be broadcast featuring Masabane Cecilia Rangwanasha, Stephanie Wake-Edwards and Alexandra Lowe, paired with directors from the Royal Opera House’s LockDown/SkillUp training programme under the tutelage of Katie Mitchell. The three short films have been shot on location in the Royal Opera House giving glimpses of much-missed corridors and backstage areas. Rounding off the week, live audiences will be treated to recitals in the Linbury Theatre on Thursday 29 October featuring Blaise Malaba, Andrés Presno and April Koyejo-Audiger, and the full collective will join to sing in an Ensemble concert on Wednesday 28 October.
Ariodante was the first opera written by Handelfor the first theatre on thecurrentRoyal Opera Housesite in 1735 and has not beenperformedat Covent Gardensince. ThisAutumn,the production makes a welcome return. Performed in concert on Friday20 and Sunday 22 November -the Orchestra of the Royal Opera House will playalongside Paula Murrihy, Chen Reiss, Gerald Finley, Sophie Bevan and the Royal Opera Chorus conducted by Christian Curnyn. A concert performance of Verdi’s Falstaff will follow on Friday27 and Sunday 29 November,with celebrated bass-baritone Bryn Terfel resuming the titular role alongside Simon Keenlyside and the Royal Opera Chorus,conducted by Antonio Pappano.
In December, The Royal Opera will perform several Christmas Concerts with the combined forces of the Royal Opera Chorus, Jette Parker Young Artists and Orchestra of the Royal Opera House.
In November, The Royal Ballet: Live will offer a unique opportunity to see, in person, The Royal Ballet back on its home stage in a snapshot of its rich repertory past and present. Dancers drawn from across the Company will perform a selection of excerpts from traditional and contemporary classics, and each evening will close with a celebrated one-act ballet. Programme A features Kenneth MacMillan’s showstopping Elite Syncopations and Programme B includes Christopher Wheeldon’s ballet of shimmering beauty, Within the Golden Hour.
A reworked, COVID-safe version of The Nutcracker will also open in time for a festive treat for the whole family, a classic with a special place in the hearts of ballet fans around the world. Peter Wright's production of The Nutcracker has been enchanting children and adults alike since its first performance by The Royal Ballet in 1984. Combined with Tchaikovsky's sumptuous, iconic score and charming designs by Julia Trevelyan Oman, this is a magical production. More details of this exciting adaptation are to be announced.
On Friday 9 October, The Royal Ballet returns for a special livestreamed performance, The Royal Ballet: Back on Stage. After an absence of seven months the whole Company will be reunited on their home stage with the Orchestra of the Royal Opera House in a spectacular collection of highlights from their wide-ranging repertory. A specially invited small audience, including students and health workers, will join us for our first live performance with an audience since the beginning of lockdown.
The Insights series also continues via the ROH YouTube channel, allowing global digital audiences the chance to discover more about the work being created by the Companies and creators working on stage and behind the scenes. The first will provide behind-the-scenes footage of Hannah Kendall’s The Knife of Dawn, offering fascinating rehearsal footage and interviews with the cast and creative team.
Royal Ballet dancers will host a dedicated Insight to celebrate Black History Month, this event will take a personal approach, discussing dancers’ experiences and influences, exploring heritage and culture and how these shared and individual experiences have shaped their lives and their careers in the UK and beyond.


Chief Executive of the Royal Opera House, Alex Beard, said:
'We are delighted to present this bold, wide-ranging autumn programme highlighting the creativity and innovation that can come from adversity. It is vital for theatres across the UK and for our community of diverse artists, that we begin to bring our art forms safely back to our stages. This programme of new work, shorts, a world first hyperreality opera and live broadcasts are all underpinned by our efforts to reach new and existing audiences online, showcasing the very best of our art forms in new and unexpected ways.'
La Royal Opera House anuncia la primera ópera 'hiperreal' y las primeras representaciones con público La Royal Opera House anuncia la primera ópera 'hiperreal' y las primeras representaciones con público Reviewed by Diario Lírico on 28.9.20 Rating: 5

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